Skip to main content

Black Panther: Wakanda Forever: Review

 2022. PG-13. 161 mins. Directed by Ryan Coogler


After the massive success of the first Black Panther, and because Marvel typically gives all their hero’s multiple movies, it was inevitable that a second movie was going to happen. Unfortunately, main star Chadwick Boseman sadly passed away in 2020 after a battle with cancer. Now the question is how does Marvel move forward with second movie after their main actor passes away? Well thankfully Ryan Coogler is back in the director’s chair and most of the crew from the first movie comes back meaning we should have another hit on our hands. Coogler and company have done the impossible of successfully making a good sequel when they no longer have their main actor.

In Wakanda Forever King T’Challa has passed away from an undisclosed issue. The country of Wakanda is in mourning and they don’t really know how to move forward with no longer having someone under the Black Panther mantle. Fast forward to a year later and Queen Ramonda (Angela Bassett) is now in charge of Wakanda and is trying to keep other countries from stealing their vibrainium. A new foe makes their presence known lead by the powerful Namor (Tenoch Huerta). There is a new source of vibrainium that has been found outside of Wakanda and Namor wants the Wakandans to help him retrieve. They refuse which leads to a major conflict between the two groups.

It goes without saying that Wakanda Forever is one of the best movies of Phase 4. There are some great tributes and dedications to Chadwick Boseman but they don’t overdue it. Ryan Coogler shows enough of the grief and sorrow from the main characters but lets them still find a way to move on and not just dwell on their loss. That too allows characters that we met in previous films gets fleshed out more and we get much more character development out of characters like Okoye, M’Baku and Everett Ross as well as giving new characters such as Namor and Riri Williams plenty of time to shine.

The action set pieces work extremely well. Whereas in the first movie they were good for the most part, but it had some effects issues with some questionable CGI. This time around the effects are much improved and the action sequences have more impact. With a runtime of two hours and forty-one minutes it doesn’t move at the quickest pace but that allows for more time with the characters and to develop them better. Things do slow down in the second act, and it starts to feel a little long but the first and third acts make up for it.

This movie works well mostly because the cast is giving it their all. Letitia Wright gets to take over as the lead here and she is as good as she’s ever been. The character of Shuri goes through a lot and Wright handles it all quite well. Angela Bassett is the standout and gives one of the best performances in comic book movie in quite some time. There are great performances from returning cast members Lupita Nyong’o, Winston Duke, Danai Gurira and Martin Freeman. Newcomers Tenoch Huerta and Dominque Thorne are both great additions to the cast. Huerta’s Namor is a great balance of menacing but comes off as a villain that you can sympathize with as well. Dominque Thorn as Riri brings a lot more to the movie than was expected. Seeing her in the trailers it felt like she was going to be an afterthought, but the character is a very interictal part of the story and becomes a bigger player than anticipated.

There were many concerns coming into this movie, but it is safe to say that Marvel made it work despite the unfortunate circumstances. Wakanda Forever is on par with the first movies, if not a little better overall. From the performances to the action sequences to the amazing score this is a great crowd pleaser and a welcome addition to the Marvel Cinematic Universe.

Rating: 8/10

Comments

Popular posts from this blog

Anora (2024) | Review

  2024 | R | 139 mins | Directed by Sean Baker Plot:  A young escort from Brooklyn meets and impulsively marries the son of a Russian oligarch. Once the news reaches Russia, her fairy tale is threatened as his parents set out for New York to get the marriage annulled. Grade: A

Nosferatu (2024) | Review

  2024 | R | 133 mins | Directed by Robert Eggers In this remake of Nosferatu, Director Robert Eggers puts a new spin on a classic tale. Taking the same basic premise and adding his signature style, Eggers effortlessly brings this story to modern day and makes one of the best horror remakes in years. Set in Germany in the early 1800's, the story follows Thomas Hutter (Nicholas Hoult) and his wife Ellen (Lily-Rose Depp). Thomas is tasked with heading to Transylvania to meet with Count Orlok (Bill Skarsgard). Little does Thomas know that Count Orlok is the being that haunts his wife Ellen's dreams, and he has grown an obsession for her. Now Thomas must do whatever he can to save his wife from this powerful being. From the opening shot, this movie is beautiful to look at. Despite the color palette being mostly greys and blacks and everything looking quite bleak, it all still looks incredible. The cinematography alone is enough to make this worth seeing. This has all the ingredient...

The Last Showgirl (2024) | Review

2024 | R | 85 mins | Directed by Gia Coppola The Last Showgirl follows Shelly (Pamela Anderson), a seasoned showgirl who loves nothing more than getting to perform in her Vegas show. She has been in the show for 30 years and has loved every minute of it. When Shelly and her fellow performers are informed that the show will be closing after 30 years, she must plan for her future and find a new avenue in life. Shelly struggles as this has been her career for so long and now she doesn't know how to move on after such an abrupt, life-changing event. We've seen this story before, time and time again. An actor or actress who has faded out of the limelight for an extended period, comes back for a role like you've never seen from them before. While this trend does work for some, it also feels like a swing and a miss for others. Unfortunately for Pamela Anderson, this doesn't quite feel like her big comeback. Giving credit where it is due, Anderson is really trying here. There a...